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| Seattle Syndrome Volume One ： ウィキペディア英語版 |
Seattle Syndrome Volume One
''Seattle Syndrome Volume One'' is a compilation of Seattle-based bands and artists released on vinyl and cassette in late 1981 on Engram Records.〔Tow, Stephen: ''The Strangest Tribe. How a Group of Seattle Rock Bands Invented Grunge.'' Sasquatch Books, Seattle, 2011, p. 40.〕 Supervised by former Telepaths guitarist Homer Spence, Danny Eskenazi (who also bankrolled the project) and local promoter Neil Hubbard, and recorded and engineered by Jack Weaver, the compilation features many of the well-known bands of the late seventies and early eighties music scene of Seattle, as well as including bands from Washington state. Stylistically, the contributions encompass a variety of music genres, ranging from hardcore punk to post punk and new wave as well as covering experimental electronica, psychedelic rock and rockabilly.
== The bands ==
Among the fifteen bands and artists contributing to the record are the regionally successful X-15 and The Pudz with their respective tracks ''Vaporized'' and ''Take Me to Your (Leader)'' as well as post punk acts such as The Blackouts and The Beakers who were considered very influential on certain bands of the later grunge scene such as The U-Men, Soundgarden or The Young Fresh Fellows.〔Prato, Greg: ''Grunge Is Dead. The Oral History of Seattle Rock Music''. ECW Press, Toronto, 2008, p. 42. For further testimony on the Beakers's influence on bands like Young Fresh Fellows or Soundgarden's Kim Thayil see the liner notes of the Beakers retrospective "Four Steps to a Cultural Revolution" released on K Records in 2004.〕 Hardcore punk bands The Fartz (who would later evolve into Ten Minute Warning, also of considerable influence on the following generation of Seattle underground rock bands) and The Refuzors contribute songs as well as long-lasting pop punks, The Fastbacks (then with a teenaged Duff McKagan on drums who would later join the Fartz and then be a formative member of Guns N' Roses). Jim Basnight of punk pioneers The Meyce and later of power poppers The Moberlys is featured with his solo song ''We'll Always Be in Love''. Finally, electronic and avant garde projects like Savant, Danny Eskenazi's own K7SS or Audio Leter side project Body Falling Downstairs were also included to present a comprehensive picture of the Seattle underground music scene. On the other hand, popular and also commercially successful Seattle power pop bands like The Heats or The Cowboys had been consciously omitted from the record because, according to Neil Hubbard as quoted by Stephen Tow, "() ''were not a part of the creative scene that later blossomed into the grunge scene."''〔Tow 2011, p. 41.〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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